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- <text id=93TT2535>
- <title>
- Feb. 15, 1993: Reviews:Television
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Feb. 15, 1993 The Chemistry of Love
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 60
- TELEVISION
- Florid Fiction, Bruising Fact
- </hdr>
- <body>
- <p>By RICHARD ZOGLIN
- </p>
- <qt>
- <l>SHOW: QUEEN</l>
- <l>TIME: FEB. 14, 16, 18, 9 P.M. E.S.T., CBS</l>
- </qt>
- <qt>
- <l>SHOW: FALLEN CHAMP</l>
- <l>TIME: FEB. 12, 9 P.M. E.S.T., NBC</l>
- </qt>
- <p> THE BOTTOM LINE: Alex Haley's tribute to his family sinks
- in suds; a documentary about Mike Tyson rises on real life.
- </p>
- <p> Sixteen years have passed since ABC's landmark telecast of
- Roots. In TV time, that is nearly a millennium. Back in 1977,
- the mini-series was a fresh and vital form. The Big Three
- networks still had a virtual monopoly on the TV audience. And
- an old-fashioned, multigenerational family saga disguised as a
- history lesson about slavery could seem like a major
- contribution to racial understanding.
- </p>
- <p> Queen is not exactly a sequel to Roots (Roots: The Next
- Generations, all but forgotten, aired in 1979), but it is a
- fitting bookend. It is based on Alex Haley's account of the
- other side of his family, namely his paternal grandmother, who
- was the illegitimate daughter of a white plantation owner and
- his slave mistress. When Haley died last February, he was in the
- process of dictating the story to screenwriter David Stevens.
- Stevens has now fashioned it into a six-hour drama that John
- Erman (An Early Frost) has directed and CBS, with much fanfare,
- will present next week.
- </p>
- <p> Queen has poignant moments, thanks largely to Halle
- Berry's delicate, deeply felt performance in the title role. But
- the mini-series seems both dated and distressingly up to date.
- It bears less resemblance to Haley's earlier epics than to a
- 1990s woman-in-jeopardy TV film, or maybe a Danielle Steel soap
- opera. Queen is the classic innocent heroine who embarks on a
- picaresque journey in which evil and injustice lurk around every
- corner.
- </p>
- <p> Born on a benevolent plantation, she is raised alongside
- the master's legitimate daughter. But after the Civil War, she
- must leave and fend for herself. Light-skinned enough to pass
- for white, she is caught between two worlds. A white man
- proposes marriage, then rapes her when she reveals her
- parentage; a black woman, responding to her plea for food,
- throws a plateful on the ground: "Eat that, white bitch!" She
- has a child by a black laborer (Dennis Haysbert) who walks out
- on her. She moves in with a pair of religious-fanatic spinsters
- who try to take away her baby. Later, bitter and near a
- breakdown, she is thrown into a mental institution full of
- raving loonies out of The Snake Pit.
- </p>
- <p> Queen eventually triumphs, of course, thanks to her pluck
- and the love of a good man (Danny Glover). All of which would
- be more inspiring if it weren't for the florid melodrama and
- tinhorn dialogue. The villainous racists do everything but twirl
- their mustaches. The shallow plantation wives are cliches of
- another sort: "If it were not for the slave girls," says one,
- excusing the menfolk's sexual dalliances, "we women would have
- to submit to our husbands whenever they feel...healthy." The
- young Queen expresses her romantic outlook in sappy lines like
- "I want to marry a prince on a white horse!"
- </p>
- <p> Roots had melodramatic excesses too, but they were
- transcended by the sweep and emotional resonance of the family
- saga. And the TV landscape has changed a lot. While the
- fictional mini-series seems stuck in a creative dead end,
- nonfiction is flourishing. From finely crafted American
- Experience documentaries to the video verite of Cops and 48
- Hours, dramatic artistry seems to reside more in the sensitive
- shaping of reality than in the sentimental shams of fiction.
- Witness Fallen Champ: The Untold Story of Mike Tyson.
- </p>
- <p> The two-hour NBC movie is, surprisingly, not another
- "based-on-fact" TV drama, but a documentary using clips,
- interviews and some startling home-movie footage. Directed by
- acclaimed documentary filmmaker Barbara Kopple (American Dream;
- Harlan County, U.S.A.), Fallen Champ is not overtly about race.
- But it could be the discordant final chapter of the Roots story.
- </p>
- <p> Like Queen, Tyson grew up in a harshly segregated society
- (the Brownsville section of Brooklyn) and was taken in by a
- white father figure (trainer Cus D'Amato). Like Queen, Tyson had
- an emotional, childlike personality (in one clip he weeps in
- anxiety before a match at the Junior Olympics). His encounters
- with the outside world, like Queen's, leave him bitter and
- disillusioned. Says Tyson about the various promoters, managers
- and other gold diggers who fought over him: "My philosophy was,
- like, people basically suck."
- </p>
- <p> Tyson's story, of course, has a tragic ending: the
- heavyweight champion was convicted of raping a contestant at the
- 1991 Miss Black America Pageant and is serving six years in
- federal prison. Fallen Champ recounts that notorious case with
- evenhanded sensitivity and an absence of polemical heat. Queen
- is overwrought but ultimately comforting; Fallen Champ is
- understated and as punishing as a left jab.
- </p>
-
- </body>
- </article>
- </text>
-
-